1 CONTRACT
2 Contents We build furniture by the forest, with a keen sense of gratitude for what nature has given us. Excellent designs come from the creator� s hard work and willingness to accept challenges. P.27 About the Dedicated Website / Interview with the Designer P.42 Shop & Office P.43 Topics：City of Design ASAHIKAWA P.4 Utilizing Hokkaido Hardwood and Advancing Sustainable Craftsmanship P.8 CondeHouse CONTRACT P.6 Hokkaido Woods Overview P.5 Making the Most of Finite Wood Resources P.7 Towards Planet-Friendly Furniture P.23 Enduring Value / Diverse Design Variations P.28 CondeHouse Collection P.26 Collaboration with designers P.24 Advanced machinery. Skilled craftspeople. That is the CondeHouse way of making furniture.
3 We build furniture by the forest, with a keen sense of gratitude for what nature has given us. The beautiful forests of Hokkaido are the starting point of everything CondeHouse is. We use Hokkaido wood for as much of our work as possible, using every last piece of wood to create items that will be part of your daily life for a long time. Treating the forest well is at the heart of everything we do. CondeHouse Story Furniture manufacturing begins with the forest. As global environmental challenges intensify, CondeHouse reaffirms our founding principle from 1968: �Manufacturing in harmony with nature.� We are dedicated to creating beautiful, durable furniture while minimizing environmental impact across production, transportation, and sales.
4 Asahikawa Furniture is committed to crafting furniture using locally sourced wood from Hokkaido. In 2014, we launched the �Kokono Ki no Kagu – Hokkaido Project.� Although Japan�s wood self-sufficiency rate has risen to 42.8% (Forestry Agency, FY2023), much timber is still imported from distant countries, requiring large amounts of fossil fuel for transportation. From this perspective, we will continue promoting the use of Hokkaido wood to support more sustainable manufacturing. Proactive Use of Hokkaido Wood Over 20 Years of Forest Conservation for the Future CondeHouse�s craftsmanship is sustained by healthy land and forests. For more than 20 years, we have carried out tree-planting initiatives to pass these forests on to future generations, planting over 50,000 Mizunara oak saplings to date. Through this long-term commitment, we support a sustainable forest cycle that nurtures both nature and craftsmanship into the future. Utilizing Hokkaido Hardwood and Advancing Sustainable Craftsmanship The elm, cherry, and sen produced in Hokkaido through coniferous forestry and forest management processes has grown unmanaged, resulting in significant variation in wood condition and a prevalence of small diameters and lengths. Enhancing value will revitalize the broadleaf forestry industry and contribute to the creation of well-managed, sustainable forests. Using these materials in furniture manufacturing creates new value for them and increases their utilization. We conduct various tests, research, and development for use as furniture materials. It is usually pulverized and turned into pulp or fuel chips. Unlocking the Potential of Underutilized Tree Species Selecting the Right Wood, Close to the Forest To coexist sustainably with Hokkaido�s rich forests, CondeHouse values working with a diverse range of hardwood species. In recent years, factors such as global wood shortages, import restrictions, and rising costs have made it increasingly difficult to secure stable supplies of high-quality local timber. In response, we expanded our material research beyond conventional species and began actively utilizing a broader selection of Hokkaido hardwoods. Through strength testing conducted by an industry–academia–government research group led by the Asahikawa Furniture Industry Cooperative, we introduced previously underutilized species such as Elm, Cherry, and Japanese Sen into production in 2024. Today, we work with six types of Hokkaido hardwood, including Oak, Ash, and Birch, deepening our material knowledge and supporting sustainable forestry through diversified wood use. Asahikawa is a major timber hub in Hokkaido and home to one of Japan�s leading log auctions for high-quality hardwood. The region brings together sawmills, woodworking specialists, and forestry professionals with deep knowledge of wood. CondeHouse maintains long-standing relationships with these local experts, sharing insight from log procurement through processing. By working closely with those who understand the forest, we assess each log�s characteristics and determine its best use in furniture making―careful judgment and collaboration that underpin the quality of our products.
5 Reducing Environmental Impact Through the Use of Local Timber Founded in Asahikawa, one of Japan�s leading furniture regions surrounded by forests, CondeHouse has always regarded Hokkaido wood as the foundation of its craftsmanship. In line with the �Kokono Ki no Kagu – Hokkaido Project� launched in 2014, we prioritize locally sourced Hokkaido timber. Unlike imported wood, which requires long-distance transport We believe that establishing a sustainable cycle through appropriate use of timber and planned reforestation can increase forests� CO2 absorption capacity and contribute to environmental protection efforts. Reduction Hokkaido woods Hokkaido woods Solid wood purchase volume CO2 emissions 2024 2024 2013 About 1,330㎥ Hokkaido woods Imported woods Procurement and logistics of raw materials (solid wood) About 1,107㎥ About 650t About 241t 2013 Thorough Utilization of Even the Smallest Materials Creating Long Tabletops Through an Original Vertical Joining Technique Offcuts and smaller pieces generated during the manufacturing process are valuable resources that deserve careful use. We repurpose short or narrow pieces by laminating or joining them to create new materials, used in components such as chair backs, sofa seat frames, and the internal cores of table legs. In some cases, different wood expressions are intentionally mixed as a design feature in chair and bench seats to create rich, High-quality timber long enough for large tabletops is scarce. To use shorter highgrade wood efficiently, CondeHouse developed a vertical joining technique that produces long solid-wood tabletops. Making the Most of Finite Wood Resources and increases CO2 emissions, using local timber substantially reduces environmental impact. Through steady incorporation into both long-selling products and new collections, approximately 80% of the wood we use today comes from Hokkaido, forming a solid foundation for environmentally responsible manufacturing. Trend in the Use of Hokkaido Woods Imported woods Hokkaido woods 2014 2015 2016 2017 2018 2019 2020 2021 2022 2023 2024 2025 100 80 60 40 20 ［%］ 0 varied surfaces. Even wood scraps too small for machine processing are not wasted; they are reused in art objects such as COSONCO QS or as wood chips for smoking, ensuring each piece of wood is used to its fullest potential. Skilled craftsmen design joints to minimize seams, prevent misalignment, and accommodate natural expansion and contraction. Arranged in a seemingly random pattern, these joints balance material character and visual harmony, achieving both efficiency and the refined quality that define CondeHouse craftsmanship.
6 Hokkaido Woods Overview Japanese Oak Species like Mizunara and Konara in the Fagaceae family are collectively called Hokkaido Oak when sourced from Hokkaido. This ring-porous hardwood has pronounced grain and a gray-brown heartwood with distinctive ray flecks. Its strength, durability, and water resistance make it suitable for furniture, whiskey barrels, and flooring. Since the 2014 launch of the �Kokono Ki no Kagu – Hokkaido Project,� the shift from imported materials to Hokkaido Oak has been significant. Its unique, natural grain and reduced CO2 emissions due to less transportation further emphasize its value. Japanese Ash A deciduous broadleaf tree of the olive family, Fraxinus, Hokkaido Ash grows in northern Honshu, Hokkaido, Korea, China, Sakhalin, and Siberia. This ring-porous wood features distinct annual rings. The heartwood is brown, and the sapwood is pale yellow-white. Known for its straight trunk, easy workability, and durability, it has historically been used in construction and bridge materials. It� s beautiful, uniform grain makes it ideal for furniture. Since 2015, Hokkaido Ash has been widely adopted for both existing and new products. Despite natural grain variations, its clean color and natural texture remain appealing, even with staining. Japanese Elm This deciduous hardwood grows widely in Japan, Korea, China, Sakhalin, and Siberia, thriving in Hokkaido� s environment. It can reach over 30m in height and exceed 1m in diameter. The wood features clear annual rings and a unique, subdued color palette. Starting in 2024, Hokkaido Elm has been used for furniture production, including the �WING LUX LD� chairs and tables. Its wide, soft grain adds a gentle touch to designs. Japanese Sen (Acanthopanax) Starting in 2024, Hokkaido Sen has been adopted, which features a bright color and beautiful, contrasting grain, particularly highlighted in the tabletop. Although it is a relatively soft material, it is now used for solid wood tables. This is a broadleaf tree from the family Oleaceae, with Hokkaido being the main production area in Japan. The heartwood is light grayish-brown, while the sapwood is pale yellowish-white, with an indistinct boundary between the two, giving the wood a generally bright appearance. It is ring-porous with distinct annual rings, straight grain, rough texture, and a light, soft nature that makes it easy to work with. The surface has a glossy finish, and the wood may display various grain patterns, such as wavy and curly figure. It is widely used for interior building materials, furniture, tools, and musical instruments.
7 Distinguished from imported Black Cherry, Hokkaido Sakura provides a refined alternative with slender dimensions and an evolving, rich character over time. Japanese Sakura (Cherry Blossom) This Rosaceae family hardwood, including Yamazakura and Siuri Sakura, is native to northern Honshu and Hokkaido. Known for its reddish-brown heartwood and pale-yellow sapwood, it offers excellent texture, luster, and workability, making it a favored choice for high-end furniture, musical instruments, and carvings. It has excellent material quality, color tone, and workability, and is used for a wide variety of purposes, including high-quality furniture materials, fixture materials, musical instrument materials, and carving materials. Japanese Birch The contrast between the heartwood (red) and sapwood (white), which is a distinct characteristic of this material, is utilized as it is, giving it an expression that only natural materials can give. Enjoy the smooth texture upon touch that is the characteristic of the diffused-porous wood. A broad leaf tree of the Birch family, distributed in Japan (Northern Honshu and Hokkaido). The heartwood is light reddish brown, and the sapwood is yellowish white with a clear boundary. There is little difference between earlywood and latewood in grain, and the annual rings are not particularly obvious. It is widely used for gymnasium floors because of its abrasion resistance and stability. The growth of the wood varies greatly depending on the conditions of the growing region. The ones with dark reddish heartwood are called and valued as a rare and precious material. In Hokkaido, monarch birch, with more distinct white sapwood, dominates. Towards Planet-Friendly Furniture Proper use of forest resources Illegal logging has been long said to cause deforestation. CondeHouse is registered as a wood-related business entity of the Clean Wood Act. We always make full use of wood to the last small piece and produce safe and long-life furniture. Please access the following URL for more information. https://www.rinya.maff.go.jp/j/riyou/goho/ Commitment to Material Safety As concerns over the health effects of VOCs (Volatile Organic Compounds), such as those linked to sick house and sick school syndrome, have grown, governments have set strict regulations to protect indoor environments. In line with these guidelines, CondeHouse carefully selects and manages all materials used in our furniture―including plywood, adhesives, and finishes―to ensure safety and peace of mind. VOCs are chemicals released into indoor air from building materials, finishes, and adhesives. Japan�s Ministry of Health, Labour and Welfare has set indoor concentration guidelines for 13 substances, including formaldehyde, toluene, and xylene. ●We use only JIS- and JAS-certified F☆ ☆☆☆ plywood, the classification with the lowest level of formaldehyde emissions. ●All adhesives meet the JAIA F☆☆☆☆ self-regulatory standards established by CondeHouse is certified by Japan Furniture Industry Development Association (JFA) as a manufacturer fulfilling the JFA requirements for quality furniture. Please access the following URL for the requirements set by JFA. https://jfa-kagu.jp /about/labeling/ Certificate of Japan Furniture Industry Development Association (JFA) the Japan Adhesive Industry Association. ● Our finishes contain no intentionally added VOCs―such as toluene, xylene, styrene, or ethylbenzene―and are applied with polyurethane or oil finishes. Certificate number JFA-00018
8 Since 1968, CondeHouse has completed many projects not just in Japan but also across the globe, ranging from interior design planning to construction. We design furniture that can be used in, including but not limited to, homes, offices, shops, hotels, medical and public facilities. Please visit our website for more details CondeHouse CONTRACT
9 If you have trouble in designing your own space, let CondeHouse help you. We not only produce chairs, sofas, and tables but also customize furniture based on your needs. Our interior design team will assist you and complete your dream space. Planning If the regular items do not satisfy your needs, do not worry. CondeHouse provides customized service to meet all your demands. To ensure the highest quality, all the customized items will be made in our factory. Customizing
10 Case Studies
11 Information Interior Design | kny architects（https://kny-architects.jp） Products | WING LUX, ATILLA LUX, SPLINTER, KIILA, ONE LUX, LAGOOSE, etc. Japan Ecosystem Co., Ltd. Location : Aichi（2025） Office
12 Information Photography | Juri Komaki Products | BARCA LUX, KINA LUX, NAKKA, AIMA, RB TABLE, KYU, etc. WELLNET CORPORATION Location : Hokkaido（2025） Office
13 Information Information Photography | Goro Mizukami Products | TEN, WING LUX, TL TABLE, KOTAN, etc. Products | WING LUX, ONE LUX, SESTINA LUX, TEN DOCON CO., LTD. Endo Kosan Co., Ltd. Location : Hokkaido（2023） Location : Hokkaido（2024） Office Office
14 Information Photography | Juri Komaki Products | TRIADO, etc. The Hokkaido Shimbun Press soramori- Hotel Kogure Location : Hokkaido（2024） Location : Gunma（2024） Office Cafe and Restaurant Information Airchitecture | Yanagi Architectural Design Office Co., Ltd. Interior Design | kaihoko design inc. Products | KARI
15 Information Design | CURIOSITY Photography | ©Nacasa&Partners Products | AIMA Four Seasons Hotel Osaka Location : Osaka（2024） Cafe and Restaurant
16 Information Website | https://www.tsuyama-bettei.com Products | SESTINA LUX, CHALLENGE, tosai LUX, RIKI, etc. Location : Okayama（2019） The Shiroyama Terrace Tsuyama Bettei Hotel Information Architecture | Atelier Tsuyoshi Tane Architects Photography | Taichi Ano Website | https://gyre-omotesando.com/shopsandrestaurants/gyre-food/ Products | WING LUX, BCTD GYRE.FOOD Location : Tokyo（2019） Cafe & Restaurant
17 Information Creative Director | TOMODACHI Ltd. Tomohiro Kaji Interior Design | NAKAJIMA+ASSOCIATES Ritto Nakajima + SIA Tetsuji Ito Photography | ©TOMODACHI Ltd. / Kai Kanno / Nacasa & Partners Website | https://noeud.tagaya.co.jp Products | KAMUY LUX Noeud.TOKYO Location : Tokyo（2020） Cafe & Restaurant Information Photography | Aioi Pro Photo Co., Ltd. Products | KOTAN Kagoshima Bank Head Office Location : Kagoshima（2020） Store
18 Information Architecture | Taiji Fujimori Atelier Photography | Masaki Ogawa Website | https://nakka-art.jp Products | NAKKA Osaka Nakanoshima Museum of Art Location : Osaka（2021） Public Facilities
19 Information Photography | Goro Mizukami Products | Custom-made Hokkaido Prefectural Assembly Chamber Location : Hokkaido（2021） Public Facilities Information Architecture | TONERICO:INC. Photography | Satoshi Asakawa Website | https://www.artizon.museum/ Products | KYOBASHI Artizon Museum Location : Tokyo（2019） Public Facilities
20 Hotel Keihan Tsukiji Ginza Grande ［Tokyo］ Yumesenkei Besso Amahara ［Hyogo］ MAURE VILLA ［Hokkaido］ Kyukaru Atago Club Orbit ［Nagano］ Kobe Bay Sheraton Hotel & Towers ［Hyogo］ HOTEL SHIMAHANA ［Hyogo］ Kotohira Kadan ［Kagawa］ Saka Hotel Kyoto ［Kyoto］ ASAN KOTONAMI ［Kagawa］ Hakone Yumoto Hotel ［Kanagawa］ Kurashiki Ivy square ［Okayama］ CROSS HOTEL SAPPORO ［Hokkaido］ KEIO PRELIA HOTEL SAPPORO ［Hokkaido］ DAS KRANZBACH ［Germany］ Architecture : studioilse / London Photography : Hotel Kranzbach GmbH / Anneliese Kompatscher ABBA RESORTS IZU ［Shizuoka］ Architecture : Japan Power Media Co.,Ltd. Architecture : Yamashita Sekkei Inc. HOTEL Others Kazuki� s ［Australia］ Hokkaido Bank, Ltd. ［Hokkaido］ OSADA Nagoya Factory ［Aichi］ Tomakomai Shinkin Bank ［Hokkaido］ H Corporation ［Toyama］ TAKAO ［Hokkaido］ Architecture : Katsuya Iwamoto + EMBODY DESIGN Photography : Seiryo Studio Seiryo Yamada Architecture : DesignOffice Client : Saori & Kazuki Photography : Dan Hocking Architecture : NIKKEN SEKKEI LTD N Law Firm ［Tokyo］ Yoshikawa Komuten Co., Ltd. ［Gifu］ Hokkaido Bank, Ltd. Head Office ［Hokkaido］ SUSHI ISONO ［Hokkaido］ REVZO Toranomon ［Tokyo］ N Corporation ［Osaka］ Iwasaki Co., Ltd. ［Hokkaido］ Kumamoto local cuisine Aoyagi ［Kumamoto］ ESCON Co., Ltd., Hokkaido Branch ［Hokkaido］ Hokumon Shinkin Bank.Headquarters ［Hokkaido］ Office F Corporation ［Hokkaido］ Kaito Shokai Co., Ltd., Sapporo Branch［Hokkaido］ Doboku Kanri Co., Ltd., Head Office ［Hokkaido］ Century Royal Hotel – Japanese Restaurant Kitanoji［Hokkaido］ Kushiro Toyota Motor Corporation ［Hokkaido］ Air Water Forest ［Hokkaido］ Cafe & Restaurant Sushisai Wakichi Rin ［Hokkaido］ Kinokuni-Kensetsu,inc. ［Hokkaido］ FRATELLO DI MIKUNI kamikawa ［Hokkaido］ ENEOS Xplora Co., Ltd. ［Tokyo］ Interior design : Michiko Katori Photography : Goro Mizukami Photography : Goro Mizukami Photography : Goro Mizukami Photography : Juri Komaki Photography : bridge Hiroki Kanie Architecture : Nori Architects Co.,Ltd. / Japan Land Buiding / Hiraiwa Kozo Keikaku Photography : Kenta Hasegawa Architecture : Jun Igarashi Architects Photography : Ikuya Sasaki Architecture : Sa design office Photography : Ikuya Sasaki Architecture : SHIBATAKI Architect & Associates Photography : Shinei Architecture : Atelier BNK Photography : Production BECAUSE Maruzushi ［Hokkaido］ Higher Ground ［Australia］ Yakiniku TODOROKI ［Osaka］ Architecture : NEW.inc Architecture : Abax Architects Photography : Yohei Sasakura Architecture : DesignOffice Client : Higher Ground Collaboration : Basis Builders / Profile Furniture / BREC / JB Elliot Photographer : Sean Fennessy
21 Residential O Residence ［Tokyo］ Premist Tower Shin-Sapporo ［Hokkaido］ Iwanai Town Assembly Chamber ［Hokkaido］ Kutchan Town Hall ［Hokkaido］ Wisteria Minami 1 jo ［Hokkaido］ F Clinic ［Osaka］ SENSAI FLAGSHIP SHANGHAI SHOP［China］ K Residence ［Nagano］ Asahikawa City Public Hall ［Hokkaido］ Upopoy – National Ainu Museum and Park［Hokkaido］ Takasago City Library ［Hyogo］ Sapporo Medical University ［Hokkaido］ Tenkokai Social Welfare Corporation – Care Town Kuranaga［Fukuoka］ Y Clinic ［Hokkaido］ Lexus Obihiro ［Hokkaido］ M Residence ［Tokyo］ YOSHIMURAICHI CORPORATION ［Osaka］ Asahikawa Airport ［Hokkaido］ Hokusei Gakuen University ［Hokkaido］ Healthcare and Welfare Facilities Tenkouen Kamiuchi – Special Nursing Home for the Elderly［Fukuoka］ Kushiro Toyota – Crane Toritodori Store［Hokkaido］ A Residence ［Hokkaido］ I Residence ［Osaka］ U Residence ［Ibaraki］ Public Facilities Iwamizawa City Hall ［Hokkaido］ Furubira Town Multipurpose Facility �Kanaeru�［Hokkaido］ Tokai University, Shonan Campus, Building 20［Kanagawa］ Kumamoto Breast Surgical Hospital ［Kumamoto］ Kisaragi Home Ooikan – Residential Care Home［Kanagawa］ MAISON M-I-D 1985 ［Osaka］ H Residence ［Ishikawa］ KIBARI NO IE ［Kanagawa］ Y Residence ［Kyoto］ Asahikawa Tourism and Products Information Center［Hokkaido］ H University ［Hokkaido］ Furano City Hall ［Hokkaido］ Niseko Town Hall ［Hokkaido］ Iku Ladies Clinic ［Fukuoka］ Stores Lexus CPO Kushiro ［Hokkaido］ Lakeside Villa Suimeikaku ［Hokkaido］ Photography : Goro Mizukami Architecture : mikiko taniguchi architect Photography : Atelier Libera / Shiyou Kawai H Residence ［Kanagawa］ H Residence ［Tokyo］ Architecture : Mars Planning Architects,LLC. Photography : Souichi Murazumi Architecture : Renovation Design Office Embellir Hirono Moriyama Architecture : Yasuda Architect Architecture : Katsuya Iwamoto + EMBODY DESIGN Architecture : Mars Planning Architects,LLC. Photography : Sam Style Osamu Yoshida Architecture : Katsuya Iwamoto + EMBODY DESIGN Photography : Seiryo Studio Seiryo Yamada Y Residence ［Mie］ Architecture : Y�s design architecture / Yamaguchi Komuten Co., Ltd. F Residence ［Osaka］ Photography : Masaaki Inoue Designer : IRIDARE interior design Mayumi Mikajima Design : CURIOSITY Photography : CURIOSITY Design : CURIOSITY Photography : CURIOSITY Photography : Goro Mizukami Photography : Aya Petite Photography : Goro Mizukami Photography : Goro Mizukami Photography : Stirling Elmendorf Interior design : TAISEI CORPORATION Photography : Adabosu Tokai University, Shonan Campus, Building 4［Kanagawa］ Supervisor : Noritsugu Oda Interior design : TAISEI CORPORATION Hiroko Tokuno Photography : Adabosu Okushiri Town Office ［Hokkaido］ Architecture : Atelier BNK Architecture : Atelier BNK Photography : Goro Mizukami Photography : Goro Mizukami
22 In our factories, cutting-edge processing tools are operated alongside elaborate handcrafting. CondeHouse�s factory is a sophisticated culmination of manual work and technology, developed through a series of ventures into new forms of craftsmanship. That�s why designers around the world know that �if anyone can do it, CondeHouse can!� Excellent designs come from the creator� s hard work and willingness to accept challenges. CondeHouse Story
23 Creating Long-Life Products Since its founding in 1968, CondeHouse has remained dedicated to crafting furniture meant to be cherished for generations. We believe that true long-life products depend on three essential elements: 1. Longevity of Materials Selecting high-quality wood, applying proper drying techniques to minimize distortion, and handling materials with care. 2. Longevity of Structure Creating robust constructions that ensure durability and functional reliability. 3. Longevity of Design Achieving timeless aesthetics paired with enduring usability. Beyond these principles, we continuously enhance maintenance accessibility to further extend product life. We also actively revisit and redesign products to enhance comfort and quality in response to changing times―ensuring they remain relevant and enjoyable for years to come. Rigorous strength testing underpins our commitment to safety and reliability, forming the foundation of long-term use. Enduring Value A Design Philosophy Shaped Through Global Collaboration From the beginning, CondeHouse has placed design at the core of its manufacturing philosophy. For over half a century, we have sought new perspectives through active collaboration with designers from Japan and around the world. Our history includes joint development with designers from more than a dozen countries, built on mutual trust and the continuous refinement of skills. These encounters―and the uncompromising pursuit of product excellence―have cultivated CondeHouse�s distinctive design philosophy. Through challenges such as transforming design competition concepts into commercial products, Diverse Design Variations we have refined both technique and sensibility. Today, our furniture embodies a modern expression of Japanese aesthetics: thoughtful use of materials, minimal and refined forms, and meticulous craftsmanship―meeting the expectations of audiences worldwide.
24 Design and Management of Cutting Tools Dedicated craftsmen sharpen and maintain the cutting tools for all our factories. The sharpness of a blade significantly impacts product quality. For instance, band saws lose their edge after roughly three hours of continuous use, requiring constant sharpening to maintain standards. To meet diverse custom needs, we also manufacture original blades inhouse. Site area About 30,900㎡ Building footprint About 11,030㎡ Total floor area About 24,980㎡ Our manufacturing integrates advanced technology with artisanal expertise, founded on a deep understanding of timber. Dedicated craftsmen are involved from the initial log selection, identifying unique �wood characters� to balance design intent with resource efficiency. About CondeHouse Headquarters and Factory Advanced machinery. Skilled craftspeople. That is the CondeHouse way of making furniture. Regarding Quality Control Our strict quality control includes inspections at the component stage, checking dimensional consistency, wood chipping, and bonding issues within each process to prevent defects from moving forward. In the final inspection, every item is manually and visually examined for structural stability, surface scratches, upholstery flaws, and coating defects based on specific criteria. Embracing the Character of Wood as Design Trees grown over decades are irreplaceable resources, each with a unique grain, color variation, and natural knots. We embrace these differences as �Character Marks,� actively incorporating them into our designs. By accepting the natural expression of timber, we expand the usability of raw materials, reduce waste, and give every piece of furniture its own distinct soul. Since 2003, we have utilized 5-axis CNC machining to realize complex modern designs; however, the final tactile finish remains a human mastery. Relying on the sound of carving and the feel of the wood, our artisans make the delicate adjustments that ultimately define CondeHouse quality.
25 Upholstery IPPONGI Restoration lab A large variation of fabrics is offered for chairs and sofas, and the lineup is regularly refreshed, reflecting the international trend of interior design. In addition, leather suitable for different applications is also offered. IPPONGI was launched in 1997. At this oldest factory used since the establishment of CondeHouse, more importance is laid to traditional techniques. Only small number of selected craftsmen are deployed, and they have been making furniture with their long experience in wood working. Fortunately, enough, we have many customers who want to use our products long even after the products are damaged or stained. The Restoration lab responds to such requests. Our experienced craftsmen listen to customers� requests and restore long-used furniture accordingly. Nothing pleases craftsmen more than their products are long used. Milling & Lumber Preparation Tables & Casegoods Manufacturing Chair Manufacturing The water content rates of wood are controlled to be appropriate as material for furniture. The rates are controlled by master craftspeople who know everything about wood. This is the beginning place for our production. This factory is for cabinets, tables, and even detailed custom-made products, where large machines are installed, so that big panels of up to 1.5 m x 3.0 m can be processed. Master craftspeople manipulate state-ofthe-art machines in our factories, where substantial synergy is provided. Every single wood is different, and therefore, each wood is processed appropriately to its characteristics. Repair and Restoration Initiatives Sustainability begins by matching our wood consumption to the pace of forest growth. Beyond designing for easy maintenance, we provide a robust restoration system including reupholstery and refinishing. By strengthening these repair initiatives, we breathe new life into long-loved furniture, encouraging customers to cherish their pieces for generations. CondeHouse Factory Product Strength During product development, we conduct various evaluations for strength and comfort. We refine our designs repeatedly until they clear our rigorous internal standards, such as a 12,000-cycle repetitive load test for seating, ensuring longterm peace of mind.
26 Gunter König Germany Design: TOMTE Atilla Kuzu Turkey Design: ATILLA LUX / BARRINGER Antti Kotilainen Finland Design: AATOS Tadahito Ishibashi Japan Design: TUB Fumio Enomoto Japan Design: QUIET Noriyuki Ebina Japan Design: ECLIPSE Maly Hoffmann Kahleyss Germany Design: SLED / CHALLENGE / HAKAMA nendo Oki Sato Japan Design: SPLINTER / FOLD Kiyoshi Sadogawa Japan Design: RB TABLE / WING LUX / TWIST Shuhei Shimozato Japan Design: FLAN Yuhao Zhu China Design: HUG Taiji Fujimori （1967-2023） Japan Design: NAKKA Peter Maly Germany Design: tosai LUX Hoffmann Kahleyss Design Germany Design: KARI Michael Poulsen Denmark Design: BCTD Toshiyuki Yoshino Japan Design: MOOV / MOLA LUX / LAGOOSE TONERICO:INC. Hiroshi Yoneya Japan Design: KYOBASHI / JINGU Richard Schultz （1926-2021） U.S.A. Design: SLAT Raw-Edges United Kingdom Design: CRUST Riki Watanabe （1911-2013） Japan Design: RIKI Collaboration with designers CondeHouse, seeking for new designs, has collaborated with designers not only domestically but also internationally. We disseminate to the world Japanese modern aesthetics expressed in minimal design and well-thought material use. Yoshimitsu Asakura Japan Design: LEGGERO Katsuhiko Osaka Japan Design: SORI Motomi Kawakami Japan Design: QUODO / KISE / SESTINA LUX / SETTE / TRIADO Toshiyuki Kita Japan Design: NUPRI Gwenael Nicolas France Design: AIMA Sture Eng Sweden Design: LINUS / RUNT OM David Trubridge New Zealand Design: KINA LUX Noboru Nakamura （1938-2023） Japan Design: TACK LUX / LAVENDER Shigeyuki Hasegawa Japan Design: NAMI Kijuro Yahagi Japan Design: 111S［S］ / SWEEP / LINE Midori Mitsui Japan Design: HANACO Mikko Halonen Finland Design: KIILA / KORENTO Michael Schneider Germany Design: KYU / SAN / TEN / YON Jakob Joergensen Denmark Design: BARCA LUX Naoto Fukasawa Japan Design: KAMUY LUX / KOTAN / YUKAR LUX Jin Kuramoto Japan Design: EIGHT LUX / FOUR / ONE LUX
27 About the Dedicated Website On our dedicated website for corporate clients, you can browse project case images and learn more about our services. In addition, 2D and 3D data, as well as product images, are available for download from each product page. These materials can be used for presentations and other professional purposes. We invite you to explore the site. In the CondeHouse Youtube channel, we have prepared contents titled �Interview with the Designer�. Please take a look at the interviews with the designers of the various beautiful pieces of furniture produced by CondeHouse. You�ll enjoy their talk about the development process, design concepts, and technical innovations from a variety of perspectives. In the interview video with SAN� s designer, Michael Schneider, he shares a wide range of stories―including his approach to chair design, behind-the-scenes development episodes, and the concepts behind the product. In the interview video featuring AIMA� s designer, Guenael Nicolas, he speaks extensively about the importance of furniture within a space, as well as his personal design philosophy and the ideas that shape his work. Interview with the Designer
28 Photo：KOTAN Chair （Upholstered Seat） Japanese Ash WNF w:560 d:495 h:700 sh:440 Information Design：Naoto Fukasawa with Hiroyuki Tsuchida Wood Species：Japanese Ash Photo：KOTAN High Chair （Linoleum） Japanese Ash WNF w:560 d:500 h:940 sh:660 Photo：KOTAN High Stool （Wooden Seat） Japanese Ash NF w:440 d:440 h:660 KOTAN KOTAN, a series of furniture developed for better sustainability and longevity. The chair might look simple but is very complicated in structure. Designer Naoto Fukasawa put in hours of work to make it comfortable, light, and durable at the same time. The series has tables with a wide variety in height, size, and material. Available in Japanese Ash and perfect for residences, stores, and office spaces.
29 Information Design：Kiyoshi Sadogawa Wood Species：Japanese Ash・Japanese Elm・Japanese Cherry・Japanese Oak・Walnut Photo：WING LUX LD Armchair Japanese Oak GY w:630 d:540 h:710 sh:405 ah:610 Photo：WING LUX LD Side Chair H Walnut CW w:620 d:540 h:745 sh:440 ah:645 Photo：WING LUX LD Side Chair （Upholstered Back） Japanese Oak NF w:620 d:545 h:720 sh:405 ah:610 WING LUX Based on the naturally beautiful design composed of rich but slender lines designed by Kiyoshi Sadogawa, we developed this premium collection. The motif shape is triangle expressing the dynamism and flexibility of nature. Hand work at fine details realizes the excellent quality of this collection. This is the iconic item of Wing collection. The design motif of this chair is a bird spreading its wings out, from which the name of the collection �Wing� comes. Our forming technique realizes the massive backrest with the minimum amount of wood. The edges of respective parts are sharp in contrast to the flowing silhouette.
30 Photo：KAMUY LUX Dining Armchair （Upholstered Seat） Japanese Oak CW w:585 d:535 h:770 sh:435 ah:640 Photo：KAMUY LUX Dining Side Chair H （Wooden Seat） Japanese Oak NF w:570 d:530 h:790 sh:440 Photo：KAMUY LUX Living Easy Chair （Upholstered Back） Japanese Oak WNF w:705 d:655 h:730 sh:385 ah:575 KAMUY Information Design：Naoto Fukasawa Wood Species：Japanese Oak・Walnut Conde House is delighted to present KAMUY collection, a new classic realized in collaboration with Naoto Fukasawa. Asahikawa is famous as a wood furniture producing district in Japan and KAMUY collection came to fruition by a unique fusion of its local wood crafting technology and Fukasawa� s artistic forming skills. The simple and well-made design of KAMUY, naturally harmonises with any type of environments. KAMUY, the most chair-like chair, offers the feeling of déjà vu.
31 Photo：SPLINTER Dining Armchair （Upholstered Seat） Japanese Oak NWT w:595 d:530 h:670 sh:435 ah:650 Photo：SPLINTER LUX Dining Armchair （Shell） Japanese Oak GY w:595 d:580 h:725 sh:420 ah:650 Photo：SPLINTER Dining Armchair （Wooden Seat） Japanese Oak NF w:595 d:530 h:670 sh:415 ah:650 Photo：SPLINTER Dining Armchair （Shell） Japanese Oak NF w:595 d:580 h:715 sh:435 ah:650 SPLINTER Information Design：nendo Oki Sato Wood Species：Japanese Oak The Splinter collection is created by a Japanese designer company, nendo. Every piece of the dining chair looks to be splintered and connected to make one chair, which is the origin of the name, Splinter. This collection won the Good Design Award in Japan in 2014. An additional model to Splinter collection designed by Oki Sato from nendo. The chair shell is upholstered with special thick leather supplied by a sole Japanese saddle maker, SOMÈS SADDLE. The high grade leather makes its back view more beautiful.
32 KIILA Photo：KIILA Dining （18） Stacking Chair （Upholstered Seat） Japanese Ash NF w:470 d:485 h:720 sh:450 ah:650 Photo：KIILA Dining （18） Stacking Chair UB （Upholstered Seat） Japanese Ash DGY w:470 d:485 h:720 sh:450 ah:650 Photo：KIILA Dining （18） Stacking Chair （Wooden Seat） Japanese Ash NF w:470 d:480 h:720 sh:430 ah:650 Photo：KIILA Dining （18） Stacking Chair UB （Wooden Seat） Japanese Ash GY w:470 d:480 h:720 sh:430 ah:650 Information Design：Mikko Halonen Wood Species：Japanese Ash A stackable work of art designed by a Finnish designer, Mikko Halonen. KIILA is a chair designed to maximize the relaxation of all who sit in it. A gently-sloping line can be seen from the armrests all the way to the backrest. The chair was a finalist in the International Furniture Design Competition in Asahikawa in 2011. A choice of a wooden or upholstered seat is available. It is made of the finest Japanese ash.
33 AIMA Photo：AIMA Dining High Armchair Japanese Oak NF w:550 d:540 h:910 sh:680 ah:765 Photo：AIMA Dining Armchair Japanese Oak WNF w:565 d:590 h:745 sh:445 ah:590 Photo：AIMA Living Easy Chair Japanese Oak MBR w:615 d:650 h:690 sh:430 ah:515 Information Design：Gwenael Nicolas Wood Species：Japanese Oak Designed by world renown designer Gwenael Nicolas, a dinning chair that stands out and immediately brings out people� s curiosity. In the design, wellexpressed is one of the Japanese aesthetics–the imperfect beauty. Available in Japanese Oak, attractive by the iconic frame and backrest shape, fitting well in both Eastern and Western scenarios.
34 AATOS Photo：AATOS Dining Stacking Chair （Upholstered Seat） Japanese Oak NF w:505 d:495 h:745 sh:450 Photo：AATOS Dining Stacking High Chair UB （Upholstered Seat） Japanese Oak MBR w:540 d:515 h:970 sh:670 Photo：AATOS Dining Stacking Chair UB （Wooden Seat） Japanese Oak NF w:505 d:495 h:750 sh:430 Photo：AATOS Dining Stacking High Chair （Wooden Seat） Japanese Oak NF w:540 d:515 h:965 sh:650 Information Design：Antti Kotilainen Wood Species：Japanese Oak A dining chair designed by Antti Kotilainen based on a Scandinavian design philosophy–only leave the necessary parts. AATOS stands for �an noble thought� in Finnish. This is a well balanced chair that is light and robust. Available in wooden or upholstered backrest, good for both public and home use, and stackable.
35 KARI Photo：KARI Dining Armchair Japanese Oak NF w:595 d:610 h:815 sh:460 ah:600 Photo：KARI Dining Side Chair Japanese Oak GY w:525 d:610 h:815 sh:460 Photo：KARI Living Easy Chair Japanese Oak GY w:700 d:735 h:745 sh:420 ah:545 Information Design：Hoffmann Kahleyss Design Wood Species：Japanese Oak A well-balanced, comforting chair good for formal occasions. It has a wide and high hexagon backrest that supports your body from all angles. Seat and back cushions provide comfort to enhance your dinning experience. A fascinating chair for spending a good time with people close to you.
36 TEN Photo：TEN Dining （21） Armchair UB （Upholstered Seat） Walnut CW w:570 d:545 h:750 sh:435 ah:630 Photo：TEN Dining （21） Armchair AB （Upholstered Seat） Japanese Ash GY w:570 d:545 h:745 sh:435 ah:625 Photo：TEN Dining （21） Solid High Table 240×70 Japanese Ash WNF w:2400 d:700 h:1000 Photo：TEN Living Armchair Japanese Ash DGY w:880 d:855 h:750 sh:400 ah:675 Information Design：Michael Schneider Wood Species：Japanese Ash・Japanese Elm（Only for Dining）・Walnut �I want to design a chair that looks balanced, and gives people a � sharp and soft� image at the same time,� said German furniture designer, Michael Schneider. If you look closely at the chair, you will notice a smooth line that is formed from the beginning of the armrest to the end of the backrest. This is a chair that has a style that suits all kinds of situations, whether it is for home residence or for public facilities. The solid wood table, meticulously crafted for its surface shape, can be selected up to a maximum width of 2700mm. We also offer a high table perfect for meetings and other occasions.
37 FLAN FOUR Photo：FLAN Living Easy Chair Japanese Ash NF w:1000 d:775 h:1210 sh:410 Photo：FOUR Chair Japanese Ash WNF w:790 d:790 h:780-870 sh:435-525 ah:655-745 Photo：FOUR Desk140 Japanese Ash BL w:1400 d:565 h:810 〈Table Top 720〉 Photo：FOUR Chair GL Japanese Ash MBR w:735 d:735 h:740-830 sh:395-485 ah:615-705 Information Design：Jin Kuramoto Wood Species：Japanese Ash Information Design：Shuhei Shimozato Wood Species：Japanese Ash The �FOUR� chair was completed as a beautifully designed piece based on the concept of integrating multiple functions into a single chair―serving as a home office chair, a dining chair, and a lounge chair. In addition, the desk, designed with functionality such as organizing documents and gadgets, harmonizes effortlessly with other furniture. Its design combines a straight-lined tabletop with organically curved legs, creating a balanced fusion of clean lines and soft forms. It� s based on the design winning a prize in the International Furniture Design Competition in Asahikawa (IFDA) in 2021. What was highly evaluated as a future potential design is its concept: a personal comfortable place realized by the high surrounding backrest and wide seat. People can sit in a comfortable position without a concern for others. This chair makes it possible to make a personal space even in an office or café. A side table is added in the collection.
38 tosai LUX LAGOOSE RB TABLE Photo：tosai LUX Living （18） Easy Chair Japanese Oak NF w:740 d:620 h:720 sh:410 ah:700 Photo：tosai LUX Living（18） Easy Chair （Upholstered Back） Walnut CW w:740 d:620 h:720 sh:410 ah:700 Photo：LAGOOSE Living Lowback Chair Japanese Ash MBR w:815 d:780 h:795 sh:405 Photo：LAGOOSE Living Highback Chair Japanese Ash DGY w:830 d:1010-860 h:975-1020 sh:395 Photo：RB Table Table 220×120 Japanese Ash OFN w:2200 d:1200 h:710 Photo：RB Table Round Table 180 Walnut OFN w:1800 d:1800 h:710 Information Design：Kiyoshi Sadogawa Wood Species：Japanese Sen・Japanese Ash・Japanese Elm・ Japanese Oak・Walnut Information Design：Toshiyuki Yoshino Wood Species：Japanese Ash Information Design：Peter Maly Wood Species：Japanese Oak・Walnut Designed by Italy-based Toshiyuki Yoshino, �LAGOOSE� invites users with its statement shell design crafted from Hokkaido wood. The name �GOOSE� references the designer� s vision of furniture that �floats lightly in space�, similar to the bird� s body lifted off the ground by its feet. Available in highback and low-back variations, the collection emphasizes comfort with thoughtful details like reclining headrests and soft cushioning. A massive solid wood round table that goes up to 2400 mm in diameter, featured by the dynamic wood grain and sharply shaped edge of the top board. The metal base is available in three different colors: silver, charcoal, and black. The high table is also available with an optional cable tray, which is good for office and even home use. The tosai-collection connects traditional woodcraft and Japanese interior with the design tradition of the German Bauhaus which Peter Maly, the designer of tosai, claims as his main influence. The result is just persuasive – Stimulated by the contrast of cultures, a furniture collection brings alive the strength of both partners. Clear basic shapes, finest materials, and uncompromising professional skills and precision are the principles of CondeHouse.
39 KYOBASHI JINGU Photo：JINGU Living Armchair Japanese Ash NF w:595 d:630 h:750 sh:405 ah:580 Photo：JINGU Living Armless Chair Japanese Ash NF w:540 d:630 h:750 sh:405 Photo：KYOBASHI Dining Armchair Japanese Oak GY w:610 d:525 h:680 sh:440 Photo：KYOBASHI Dining Side Chair Japanese Oak GY w:490 d:480 h:680 sh:440 Information Design：TONERICO:INC. Hiroshi Yoneya Wood Species：Japanese Oak Information Design：TONERICO:INC. Hiroshi Yoneya Wood Species：Japanese Ash A chair originally designed for a museum project by Hiroyoshi Yoneya from TONERICO:INC. The back of the chair is designed to be lower than the table not to stand out too much. KYOBASHI provides a sense of quietness and would not ruin the atmosphere even if the space is equipped with plenty of them. Available in Japanese Oak and in the wide variety of colors, good for both public and home use. A Japanese architecture-inspired furniture series with a calm atmosphere that fits in any interior. Designer Hiroshi Yoneya combines the traditional Japanese cushion and furniture to maximize its comfort level. It will provide another type of comfort that sofas do, recommended for long hour sitting areas like a reception room or hotel lobby.
40 SAN KYU BCTD Photo：SAN Dining Chair （Upholstered Seat） Japanese Birch NF w:515 d:550 h:730 sh:450 ah:610-675 Photo：KYU High Stool H Japanese Ash GY w:445 d:485 h:880 sh:785 Photo：BCTD High Stool Japanese Ash NF w:450 d:435 h:805 sh790 Information Design：Michael Schneider Wood Species：Japanese Birch Information Design：Michael Schneider Wood Species：Japanese Ash Information Design：Michael Poulsen Wood Species：Japanese Ash SAN stands for 3 in Japanese. Designer Michael Schneider sketched the chair with 3 lines; hence it was named SAN. A chair designed with an upholstered seat and back provides comfort for long hour sitting. Available in Japanese Birch, stitching on the surface of leather upholstery. A comfortable high stool, easy to stand up and sit down, versatile for restaurants, office meeting rooms, home, etc. It is designed by the German designer we� ve worked with for many years. He aimed to ease strain on the body by allowing people to change sitting posture freely. The long stool legs made of Hokkaido ash gives an intellectual air. The barstool made of Japanese ash combines unique Danish design with wood processing techniques based on the Japanese craftsmanship. The saddlelike seat allows for comfort in any seating position.
41 Information：EIGHT LUX EIGHT LUX Dining：Armchair Design：Jin Kuramoto Wood Species：Japanese Oak w:575 d:575 h:740 sh:450 ah:615-690 Information：SETTE SETTE Dining：Side Chair Design：Mototmi Kawakami Wood Species：Japanese Elm w:500 d:540 h:850 sh:450 Information：TUB TUB：Bench 150 Design：Tadahito Ishibashi Wood Species：Japanese Ash w:1500 d:500 h:440 Information：CHALLENGE CHALLENGE Dining：Armchair（Soft） Design：Maly Hoffmann Kahleyss Wood Species：Japanese Oak・Walnut w:550 d:620 h:795 sh:465 ah:630 Information：LEGGERO LEGGERO Dining：Side Chair （S） Design：Yoshimitsu Asakura Wood Species：Japanese Ash w:500 d:525 h:800 sh:435 Information：SLAT SLAT：Chair Design：Richard Schultz Wood Species：Japanese Oak w:540 d:595 h:815 sh:440 Information：RIKI RIKI Windsor：Side Chair Design：Riki Watanabe Wood Species：Japanese Oak w:605 d:575 h:910 sh:420 Information：RUNT OM RUNT OM：Chair （Upholstered Seat） Design：Sture Eng Wood Species：Japanese Ash・ Japanese Oak etc. w:555 d:475 h:740 sh:435 ah:670 Information：LINE LINE：Chair（Upholstered Seat） Design：Kijuro Yahagi Wood Species：Maple w:480 d:535 h:805 sh:425 Information：BARCA LUX BARCA LUX：Lounge Chair Design：Jakob Joergensen Wood Species：Japanese Oak w:1255 d:1175 h:785 Information：NAKKA NAKKA：Bench 157 Design：Taiji Fujimori Wood Species：Japanese Ash w:1565 d:500 h:410 Information：TACK LUX TACK LUX Living：Easy Chair Design：Noboru Nakamura Wood Species：Japanese Ash w:830 d:625 h:705 sh:385 ah:525 Information：NAKKA NAKKA：Armless Easychair Design：Taiji Fujimori Wood Species：Japanese Ash w:660 d:585 h:730 sh:390 Information：GOLFER GOLFER Salon （N）：Armchair Design：Minoru Nagahara Wood Species：Japanese Oak w:820 d:780 h:750 sh:400 ah:525
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43 • The images in this catalog may be slightly different in color from actual products due to the printing inks. • The products shown are as of January 1, 2026. Product designs and specifications are subject to change for the product improvement. 2026.1 The Asahikawa Creative City Promotion Council Website The Asahikawa International Furniture Design Awards (IFDA) has been held since 1990. Over its 12 editions, it has received over 10,000 entries from Asahikawa, Hokkaido, has a history of design activities centered on industrial fields such as furniture and crafts, which is the source of the regional strength. The Asahikawa Creative City Promotion Council, utilizing the UNESCO Creative Cities Network, aims to realize an attractive and sustainable community. Asahikawa city, through the power of design, has valued nature and people by enhancing the value of the region�s great City of Design ASAHIKAWA natural resources, including the national park Daisetsuzan. around the world, with more than 50 designs being commercialized as Asahikawa furniture. Through over 30 years of dedicated effort, the IFDA has earned high international acclaim for its furniture, recognized for beautiful design and functionality backed by skilled craftsmanship. CondeHouse Co., Ltd. 2-6 Nagayama Kita Asahikawa Hokkaido 079-8509 Japan International Division: Tel +81・（0）166・56・0409
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